Musings

Beyond Roman-ness

Today’s first stop was Numancia, one of the many locations that had pre-CeltIberian settlement, then CeltIberian, then a big rehab/redo by the Romans (who took it in 133 BC). As an additional treat, clouds brought moisture that the temperature converted into ice crystals.

Need I mention that we walked carefully?

Walls, hence occupation, seemingly go on forever.

A fancier dwelling….

On to Uxama. This tower dates to the al-Andalusian period, when Arabs controlled most of the peninsula, including this area. They built many watch-towers to consolidate and maintain their power. It worked for generations…until it didn’t. The castle to the right (red arrow) dates to the 10th–11th C, with later modifications. The river in between (blue arrow) is the Ucero.

Uxama is better known as a Roman city. If all this area had buildings, it was a very large city (I am not sure that it did). This excavated area is between the major hilltops; this view is to the southwest.

The domestic complex in this corner of this area includes and underground store-room (far right; bodega in Spanish).

We left the Roman world behind and checked out the Riaza valley near Montejo.

I’m guessing this is wheat. I’m guessing it’s doing pretty well. We’ve been seeing large piles of bales of wheat straw, just rotting…it appears they bale it with no market…is there a subsidy involved? Just trying to figure out the political economy….

See those lovely mountains below the narrow cloud layer? Tonight’s room is in a tiny village in their foothills.

We motored through this Medieval gate to check out central Ayllón.

Two civic-ceremonial buildings on the mostly Medieval main plaza…. I think the one on the left was a church, and perhaps still is, but the signs relate to non-religious usage.

A different view of this same end of the Plaza Major.

Construction detail…showing beams embedded in soft brick and adobe-type wall materials.

Slate construction

In contrast, this is the building material of the small village we’re staying in. I’m calling it slate.

It’s even visible on one wall of our lovely room.

Day of changes

We left Bilbao in a light rain and went west, in and out of raininess.

We saw the ocean—quick peeks—at least a half-dozen times.

When we cut inland, we encountered clouds above and with us.

In Europe, we’ve found far more frequent tunnels than in the USofA. A tunnel we went through before we reached Bilbao was almost 3 km (1.82 mi)—I forgot to look it up until now.

The elevations eventually had snow…from a storm that came through about three days back. Luck is with us.

We took a wee side trip to see the source of the Ebro River, where there’s a lovely little park…and the river’s first dam.

This is a monument to the river. With a mallard.

Just a few miles from the source are the upper reaches of a major reservoir on the river.

Then, the topography became more rugged, and we drove a bit in dramatic gorges.

Even the side drainages are dramatic.

Oops, look what we climbed into.

Fortunately, the road was clear and the temps waaaay too high for there to be ice.

This is the only town we went through where the buildings had exposed beams. I suspect many of the buildings have beams—they’re just clad in mortar or whatever.

Finally, we descended and the landscape opened up, and the fields are greeeeeen!

Hotel window view….

No archaeo, day three

Different day, different museum: Museo de Bellas Artes de Bilbao, established 1908. This is the “Old Building;” behind it, the new is being reworked—note crane. The collection focuses on Basque and Spanish works.

This is Ramiro Arrue’s (1892-1971) “Euskaldunak karta jokoan,” meaning Basques playing cards.

He did it about 1919. I was fascinated by the footwear, especially the boots on the left with exterior laces.

Aurelio Artete 1930 5

Aurelio Artete did this in 1930–35, and called it “Euskal arrantzaleak,” or Basque fishermen. Again: footwear…. I’m wondering if the short boots are of rubber? They do look globular. Also: bare feet.

We saw one Picasso on display: “Still life with glass/bowl of fruit,” dating to 1937 (don’t know the original language of the name). In English, it’s “still life,” but in Spanish it’s “naturaleza muerta,” or, literally, dead nature.

They had three Goyas on display, including the side of the shipping crate they came in from France…I didn’t get the full story. This was the middle painting of the three (yes, I cropped it), the esteemed Bernard Tavira, dated about 1787-88.

Here’s a detail of the Señora’s carnation and ruff.

A few smaller rooms displayed fascinating historical documents and the like that normally no members of the public get to see. These are a pair of pages from “Corpus Iuris Civillis;” it dates to before 1477, and is in Gothic script. This is a later copy of a compilation of Roman laws from AD 117–565; the compilation was ordered by Emperor Justinian I, who was emperor from AD 527 to 565. This copy was made for Pierre de Laval, who became archbishop of Reims in 1473, and died in 1493. Many modern legal systems relate back to these laws.

Here’s a small section of the official document of excommunication of Henry VIII of England by Pope Clement VII and the Holy Council of Cardinals. This is an authorized copy sent to the Spanish court, and dates to 1531.

And then we were outside enjoying the sun…we found groundskeepers at work—here the fountain cleaners.

Here’s Bilbao’s river, the Nerbioi (Basque), or Nervion (English). This view is toward the mouth. This area was once the port area. With larger ships, it’s moved to the bay at the mouth. Note also that Bilbao, the city, is along the river, and the higher elevations are forested.

The façade of this building stood out to us both. It appears to be a private business…. BTW, that’s a pedestrian bridge to the left.

And, our riverfront trajectory brought us back to…this sculpture/building by Frank Gehry (born Frank Owen Goldberg, in 1929).

I very much enjoyed seeing Anish Kapoor’s “Tall Tree & The Eye” (2009) without raindrops.

Here’s this combo moto and lift that I posted yesterday from the other side.

Guggenheim detail. I think this is employee parking on the “back” side.

And, for giggles, a totally different façade, in town, away from the former port area.

Cultural, day two

When in Bilbao…and especially if it’s rainy…. This famous Frank Gehry-designed museum opened in October 1997, riverside where the port was, opening up this part of the city with a major international attraction. Alternatively, people come to see “Puppy” by Jeff Koons, a flowering-plant bedecked West Highland terrier behemoth.

We joined a HS group crowded under a meager overhang waiting for the museum to open. They were speaking French and English, perhaps from a posh school over in Bayonne…I didn’t ask.

It took just a moment to scan our phone-born tickets, and another moment for a brief uncurious security inspection of my purse, and in we were. Entry hall, empty and quiet, so different subsequently.

We went directly to the top/third floor, and our amazing first stop was to be closed in a room, just the two of us, with lights and reflections…guaranteed to make anyone smile. It’s called “Infinity Mirrored Room—A Wish for Human Happiness Calling from Beyond the Universe” (2020), by Yayoi Kusama. Her works are very diverse and include novels; she has done many Mirrored Rooms. The vibrancy of the space seems appropriate to someone who experienced hallucinations beginning at age 10.

The rooms and spaces elsewhere tend to be huge. Five pieces only are in this room, e.g., a Warhol multi-Marilyn to the right, and a Roy Lichtenstein on the far wall, with a Jeff Koons flower bouquet in the middle.

Making art with art…selfie of the two of us…and a different school group.

A whole wing held this Richard Serra eight-piece composition called “The Matter of Time” (1994–2005). My favorite section was the fifth one, called “Torqued Spiral (Right Left).”

The steel walls framed a passage that kept going and going. This was the view looking out from the dead end.

Much of the second floor was dedicated to the works of Hilma af Klint (1862–1944), a pioneer (almost everyone uses this word about her, so don’t call me a copycat) in abstract art. This is her “The Ten Largest” (1917), showing the four stages of human life: childhood, youth, adulthood, and old age/being elderly.

Her other pieces are smaller, sometimes much smaller. This is one of a series called “Tree of Knowledge” (1913–1915).

It was just too wet/windy to comfortably visit the many sculptures outdoors, so we glimpsed them through the windows.

Life outside the museum—endlessly eye-catching. Hopeful umbrella vendor and two museum patrons, already equipped.

Bridge view, by river.

Bridge view, with lift and moto.

Building detail—nuts and bolts of it, and the beams they join.

Cultural, day one

We stayed last night in the Baztán Valley, deep in the mountains. One of the routes of the Camino de Santiago de Compostela comes through here, so there were buildings here in the 10th C.

Later, residents historically went to the USA to work, returning with enough wealth that the buildings are relatively spiffy—and not just homes. This is the monastery that was across the street from the church in yesterday’s post—ornate and expensive, no?

One other cultural anthro detail about this valley and the general area, including into France, was that from at least the 13th C, a marginalized population lived in separate hamlets from the “regular” people, with stringent social restrictions imposed on them that varied by time and place. Interested? WikiP has entries in Eng, Fr, and Spn, under cagots for the first two and agotes in Spn.

We set off, happily on a faster road, with these limited access criteria. No knowledge of Basque needed to get the meaning.

I managed to get a shot of this building as we motored along, with no idea what it was. In general, we passed through areas with some abandoned, and many active factory zones, so I figured this was another. Turns out it had something to do with the electrical distribution system.

There was a ford here for cattle long ago, and a bridge by 1736. This is thought to be a 19th C re-build. Folklore has it this bridge was built by the Sorginak, Basque for witches, a term taken from that of the assistants of the Basque goddess Mari (she controls the weather and dispenses justice). The stories vary about how all this came about.

Here’s proof that we made it to the Atlantic (yucky picture over the guardrail, yet evidence). Today was windy, especially along the highway paralleling (but not adjacent to) the coast…we noticed wind socks at most gaps/bridges over rivers flowing north to the sea.

We scrapped a stop at a lighthouse: windy, and went on to another mountain point-of-interest. However, at elevation, it was blowing rain, so we didn’t walk around. I did see the door was open on this structure and thought: bathroom (rarely to be passed up).

I went in and discovered yes, toilets, but also it was a bunker for outdoor adventurers needing refuge from bad weather. The least noise echoes, but the bunker-like engineering seems safe.

We stopped in this mountain park, Urkiola, because I was interested in a land-counting/measuring system called by a specialist “a pre-decimal metric metrological system characterized by septenary units of measure as well as the material and immaterial instantiations of these units, including the way they were manipulated and integrated into social practice.” Septenary means seven is the key figure, especially simply seven, but also 49, etc.

The areas had an upright stone in the center, with a diameter measured around them; this system was in use into the 20th C. This satellite view figure shows four that academics have identified; I put stars where it looks to me like two more may be.

Leaving to descend back to the coastal highway, I was surprised to see Durango on the sign…Basque shepherds in Colorado, hence the name used there?—I hypothesize.

We had good views of this distinctive Rocky Mountain (not Colorado) on our descent. BTW, 30 km/h is 18.6 mph—slow is careful on tight hairpin turns.

Some of the highway was a toll road. Here’s a special elevated payment machine for semis (some from Eastern Europe). There’s a camera on the tall pole to the left.

For our three nights in Bilbao, we splurged on a wee apartment downtown. It’s fabulous to have the extra space—and a mini-kitchen!

We braved light rain to walk about the area. This is a theater—upstairs.

At street level, it’s this cavernous open space…well, the lower ceiling has thick pillars, each one different.

Evidence we’re in a city….

Another architecturally interesting building….

Proof we got some sunshine….

Night view from our abode….

We enter Basque territory

Our room last night had a pair of those arched windows on the third story (second above ground floor) that have gold framing. I learned that if you live in a place with narrow streets and multi-story buildings, like this neighborhood, you may not see much sunshine.

Ah, there is sunshine after last night’s rain.

Is MaNachur offering some kind of irony in lighting up the wind turbines?

I wanted to see this church-castle-tower combo for the massive high walls on the tower. I did not expect to have the quirky bonus of arriving when the grounds crew was taking a break, leaving their equipment to mark the spots where they should resume, and highlighting that the priests rely on so much outside labor to strut their stuff.

This is the Castle of Xavier (Basque: Xabierko gaztelua), and the name Xavier/Javier is derived from the Basque Etxeberri meaning new house. [However difficult we thought Catalan was to grasp, I find Basque words impossible.] The Basque Jesuit cleric and famous proselytizer Francis Xavier (1506–1552; canonized 1622) was from here, taking the name of his hometown as his priestly cognomen (or whatever they’re called). Xavier is now used by many institutions, including Xavier University in Cincinnati, Ohio, to honor the man.

Changing gears, the is the entry area for the Villa Romana de Liédena, which was occupied from the 1st through 4th Cs AD, with its greatest size and decorative opulence at the end, including various mosaic floors. This was a villa, so an agricultural complex and a fancy dwelling complex merged together.

A visitor, it seems to me, would pass through the agricultural entry area and into this impressive patio that featured an open-water pool (the narrow-double-stones outline it) that drained toward the lower left of the photo and away from the house.

This large room was perhaps the core of the elite dwelling.

The villa’s location was chosen with this fabulous view of the Foz de Lumbier, or Lumbier Canyon, with the Río Irati in between, as well as the fields this villa controlled.

Next, we followed the Río Urrobi upstream a long ways. We had some precip, but thankfully it was too warm for the snowflake warning signs at the higher elevations to reflect our current situation.

Despite many signs cautioning us about open range animals, this is one of the first we’ve seen, only a trifle worried that we’ve stopped moving.

This is the typical domestic architecture in these parts…very different.

Sometimes, the homes are slightly fancier.

Our guesthouse is to the right, with the green shutters.

Next door is a church, with a portico over the entrance (seems unusual). Goodnight.

Ups and downs

Today’s objective: cross the Pyrenees, and whatever else happened. Here’re some views through the windshield…. Driveway gate…

Railroad bridge for Le Petit Train Jaune.

Random flaking sign on building.

Road safety warnings. We did have a short period of precipitation in the dark hours, a spin-off from the Storm Éowyn system.

We didn’t know what this was driving by. Turns out its part of a 17th C fortification…to control access to the valley we’re headed toward.

Today’s roads don’t fit well into the spaces between buildings….

At the pass, we did see bits of snow on the ground, but just (thankfully) moisture on the road. Some cars that passed us, presumably from ski areas, wore 2 or so inches of new snow.

We were very pleased to descend into the Cerdanya valley, with its wide fields and pastures. And horses, many horses, all winter-shaggy. Most were heavy-bodied, the shape I associate with working horses. I thought I got a decent shot of grazing horses, but when I zoomed in, they were mules. Harrumph.

I was going to title this post something about border crossings. This was our first—out of France and into a small bit of Spain that’s entirely in France, called Llívia. It’s dominated by the castle hill, which we climbed up a ways, but only perhaps ⅓ of the way…which was plenty to get this good view of this part of the Cerdanya, and the church bell tower below us.

Then we crossed back into France, then back into Spain, and carried on until…I’m calling this Aduana Uno, that is, Customs One…for leaving Spain…

…and Aduana Dos, for entering Andorra. You want to read about a strange international situation, look up Andorra. The first thing we noticed was all the traffic exiting into Spain and backed up perhaps 2 km. Yikes. These motorists, we guessed, were headed home after weekending in Andorra, skiing perhaps.

We found Andorra gritty and traffic-filled, the main valley overstuffed with multi-story apartment buildings, and rather yucky. We ducked into a Carrefour and bought some lunch makin’s, then headed back to the traffic jam, and ate while nudging along. Summary: we went to Andorra for lunch.

Back in Spain, southbound took us out of the mountain rockiness eventually.

From afar, we both thought this looked like a mushroom spire. Turns out it was a stork nest providing the flare.

This rock face is just at the edge of the mountains.

And, if you face the opposite direction, you see the ruins of a Medieval bridge. The exposed “guts” offer insight into construction methods and engineering strategies.

The view from tonight’s room…sluggish river, and far more space riverside than we saw in Andorra….

Tale of two cities

Orientation first. Left satellite view; this is the southern Gulf of Roses. On the right is Greek Emporion (amplified right), Roman Empúries (left lower, with “R”). North is “up.” The scale is huge. IMHO, these were cities, not ho-hum towns.

First, however, indigenous people lived in the area. Although later occupations have covered them up, that round knob at the top, an island with an elevated summit, was an Iron Age settlement, and inland were others.

Greeks were trading here before establishing a settlement. They first built on the knob to trade, and called it Palaiaopolis; the harbor was to the south of the island. Celt-Iberian pottery was changing from this presence by the 7th C BC. In the 6th C BC, Greeks moved to a new area to the south of the harbor; they called it Neapolis. This community was given repeated updates and modifications. By the 4th C BC, this was a city with a Greek layout—including an acropolis on the highest spot, and markets and an agora, the central public space. In the 2nd C BC, they beefed up the walls, expanded the sanctuary areas, and added new port structures.

You can research the warfare/conflict that gave the Romans the upper hand by the 1st C BC. On the left, the rectangular “R” area is the Roman city. Ultimately, the grid of streets was 6 or 7 wide, and 15 north-south. The amphitheater is just outside the wall south of the southwest corner.

Now, some photos of the Greek city.

Sarapieion temple, southeast corner of Emporion.

Peristyle domestic complex, the largest of Emporion, close to the bay and immediately south of the agora.

View east-southeast, with stoa along the left (colonaded public structure), and agora in mid-ground.

View south from houses north of the agora, down the main north-south street of the southern part of the city.

Port—now green grass and trees; view north.

Acropolis. View is to the north. I found it amazingly small, perhaps 5×5 m.

Somehow this is a water filtration system, up near the acropolis. No info was offered about how it worked.

This gives an indication of the density of houses (almost all of these rooms were dwellings/dwelling complexes), looking toward the acropolis from the main north-south street, view to west.

They’ve put a museum in the church, between the two cities. This statue was found in 1909 in the temple area in the southeast of the city. The upper part was in a cistern, and the rest in the temple where it stood originally, and a replica stands now.

From the museum, we ascended the hill and entered the Roman city. It is vast. This view is from the northeastern edge of the excavated area, looking south. I’m pretty sure all of what you can see, except perhaps the tallest trees, lies within the city (maybe not the walls, but the city).

Here’s looking the length of the forum from the north. I’m standing on the front of a large temple honoring Jupiter, Juno, and Minerva. Colonaded structures lined the other three sides, and more temples flanked this one on the north side. Again, all but perhaps the tallest trees: in the city.

Looking north through the door/gate in the south wall, up the main street, the length of the city. Ish. That partial structure on the left is a reconstruction of the southwest corner of the forum.

Outside the wall, but snugged up against it is the amphitheater. The vertical element is gone, and I find it difficult to visualize its scale.

Well, that’s enough. Remember, too, that, big as this Roman city was, the whole population of the immediate area was not living here. Indeed, there were other communities and villas scattered about. ’Nuff said.

Iron Age towns, more

Oliveoil salt

On the table as we sat down to breakfast: salt and olive oil. This is (drip-line irrigated) olive orchard country, and there are plenty of new terraces being built and planted. The development seems to be by multi-national agribusinesses, not small-holders.

It’s 10am, and the sun’s too high for a sunshine slow-down.

The map on the left shows the Ebro River, flowing north-to-south on the far left. The site, called Castellet de Banyoles (Tivissa), is triangular, with the only foot access from the right as there are cliffs elsewhere. The right map is an enlargement of the fortified entrance there (see next photo).

Those two points facing us are the rebuilt bases of two large pentagonal towers that totally controlled access to this ~4.4 ha city.

Here’s one residential compound, two rooms wide and three deep, with the doorway in the front. Often with such a layout, the innermost room was where people kept their valuables, food, etc., so that visitors could be permitted only in the front/reception room, and remain ignorant of the family’s wealth.

Here’s another compound, two very long rooms deep, and two wide.

This very wide open area functioned as a broad street between dwellings left and right. Despite all this construction (I haven’t mentioned the effective sewage system for the whole city), this settlement was built in the 4th C BC, and was wealthy, probably producing Iberian drachmae coins, imitating types from the Greek city of Emporion, far northeast of here on the Mediterranean. Excavations recovered luxury goods of gold and silver (including earrings, bowls, plates and bracelets), pieces of lead bearing Iberian script, and significant traces of metallurgical activity. The Romans burned/destroyed the settlement about 200 BC, probably in connection with indigenous revolts, although there is some evidence of reoccupation. Recent fieldwork has found Roman-period items east of the fortifications, which point to a Roman camp having been established there.

Over the wall to the west, a bend of the Ebro was below, and the arable land that this city controlled, too.

Here’s the southwest lookout tower base, visible in the map.

Our second site today was totally different. It’s on a tiny, narrow landform, and overlooks a small tributary of the Ebro, so it is not in the main valley. The settlement was far earlier than Castellet. It’s called Puig Roig (red hill in Catalan—from the rock substrate, not the sign!), and dates to the the ninth and eighth centuries BC.

These walls are not even 2m apart; these were much smaller rooms.

These are the largest rooms I saw….

Here’s the central street, not quite two meters wide. During occupation, I’m sure it was more level than at present.

Generic mountain drive view, 12:30 pm.

Look what JCB found! Don’t recognize this “Tasty Burger” place? It’s a Mickey’s! [Part of the Playland sign is visible, left.]

We checked into our hotel and made a paseo (walk). Here’s a perimeter entry, now only one-way for vehicles. [And rightly so!]

This town is called Capellades, and is famous for making paper of cotton/linen rags plus hemp, including for cigarettes and currency. Look at the detail on the bottom of the balcony floor! We stopped here because of Abric Romaní, a rockshelter in the Quaternary travertine cliff formation (called Cinglera del Capello) that forms the east edge of the town. Excavations from the multi-meter deep deposits recovered important information on Neanderthal lifeways in the area, with dates to the Late Middle Paleolithic, and the oldest layers dating to ~56,000 yrs ago. Only the top layer (Layer A) dates to the Upper Paleolithic and has Aurignacian artifacts indicating human use. Open hours are scanty, so we’ll look at the cliff setting and move on.

On to Catalunya

We took the long way back to our room after breakfast (the short way was maybe a dozen doors away), and the maze of streets brought us by the church, and the door was open!

So we looked in. Two priests and fifteen parishioners. What a surprise to see that oval ceiling and pantheon-like dome. A bit of digging (you know where), and I see that the building, Iglesia de San Pedro Mártir de Urrea de Gaén, was designed by Agustín Sanz (also the contractor for construction), with the building completed in 1782. The unusual layout was allowed by the church’s patron, 9th Duke of Híjar, Pedro de Alcántara de Silva Fernández de Híjar. A very progressive design.

We drove quite a ways, trying to absorb a bit about the always changing landscape. Here’s a lovely valley.

We reached our first crossing of the Ebro River, the major river of northeastern Spain. It’s south of the Pyrenees (duh), and flows east-southeast with a large, roughly triangular basin that I think was a breadbasket in Roman times. It eventually turns south and cuts through some low mountains, before reaching the Mediterranean at Tarragona. We will spend perhaps almost half of this trip in the Ebro basin. [Map on WikiPee here.] The area along the river is called the Ribera today. Shortly after crossing this bridge, we entered Catalonia, where we’ll stay for the next eight-ish days.

On our hill-climb to the first yacimiento ([archaeological] site) of the day, called in the literature Sebes, I spotted these flowers, mostly old dried out, but not this specimen. The one to the left is different. I don’t recognize either.

The heydey of Sebes was the Early Iron Age (7th C BC, and thus pre-Roman), when I think the best place in town was up here, but structures were on many terraces below the hilltop. Here’s the view of the Ebro from the high-point.

On a lower ridge-nose, the Sebes people put their dead beneath these careful rings of stones. Long before the Romans, people in Iberia put their dead outside their communities, but close by.

That ridge-nose off to the right and barely visible has the ruins of a later Iron Age settlement, high (as you can see) above the Ebro. The name for it today is Sant Miquel de Vinebre, so not an indigenous term that the Romans recorded before they ousted the inhabitants in 44 BC. Further parsing the photo, you can see the geological bottleneck to the left, which allowed this site to control passage up the Ribera, and the arable lands to the right or west-northwest and out of the photo.

This site is typically referred to as El Molar for the adjacent town. John says the community’s business is dentistry, but the WikiPee indicates it’s agriculture (olive and almond orchards, plus some vineyards). This site dates to the Late Bronze Age/Early Iron Age (so earlier than the two above), and is along a narrow N-S ridge. Most of the excavation was a century ago, so we have far less data than if had been opened up in the last several decades. However, excavators did save some funerary artifacts of copper and lead. Interestingly, this site is in a mining area that produced the lead, but not the copper, although copper is known from the area. Instead, the copper was from southeast Spain, mostly from the Linares mines of Jaén, and, to a lesser degree, from mines in the Almería province. So I read.

We reached Catalonia, an autonomous community (Spain has 17), not a province. Here’s another bridge across…the Ebre, Catalan for Ebro. Our second Catalan word befits language learning in a Catholic region, and is creu, meaning cross. Poking around the internet just now, I learned that in Catalan, the name is Catalunya. Now up to three words!

Note the three balconies of laundry (I gotta include some cultural anthropology)—and one without—perhaps preparing for the weekend?